I always wonder how aware writers are of the tropes they're using, particularly the narrative/emotional/sympathy/etc aspect. Like, do you write that long coat wearing hero because that's how that gestated in your head and it just happens to fall on the cool square that a lot of us share? (Besides, if what was in your head wasn't shared by others in the same way, well, you might still be a writer but you probably won't have much of audience. Or you could be Terry Goodkind. Nevermind.) Or are you actively aware of it - yes, long coats are cool, this is a cultural norm, let me write a long coat here where I need the story to evoke coolness?
I kind of assume it's a mix of both, to some extent, but the one thing I don't expect is for someone - a character - to just come out and admit to what's going on, having a character identify with the audience this way. Whedon has quite a bit of this ("Do you always open both doors when you come into a room?") but it's usually more light hearted, with character insight on the side. Laura just goes, well, yes, of course I want to see you vulnerable. It's weirdly exhilarating, almost transgressive. Good god, are you allowed to just say that? On television?
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I kind of assume it's a mix of both, to some extent, but the one thing I don't expect is for someone - a character - to just come out and admit to what's going on, having a character identify with the audience this way. Whedon has quite a bit of this ("Do you always open both doors when you come into a room?") but it's usually more light hearted, with character insight on the side. Laura just goes, well, yes, of course I want to see you vulnerable. It's weirdly exhilarating, almost transgressive. Good god, are you allowed to just say that? On television?
( Read more... )